The release includes plug-ins like GPU accelerated color space and gamma transformations, lens blur, light rays, emboss, dent, vortex, mirrors, gaussian blurs, glows, ripples, and many more.
This is a new framework for native GPU and CPU accelerated effects. No more scrubbing back and forth on a clip in a timeline to get the exact edit you want. By using audio spikes or silent areas, this feature seems to be an incredibly fast way to find the best edit points. The source monitor has a audio waveform overlay allowing editors to see the audio and the video simultaneously. One of my favorite new features, and is just a brilliant addition, is the ability to navigate clips using audio waveforms. Actually, you’ll find seven new trim operations: head trimming, tail trimming, ripple cut, past insert, expanded edit overly with ripple overwrites, append edits among the many new changes. Now, you are faced with two choices: Watch an hour-long video of Paul Saccone detailing the many changed in DaVinci Resolve 12.5, or continue reading for the highlights.ĭaVinci Resolve 12.5 adds several new editing features like trimming features allowing swap and shuffle edits. Clearly it’s a bonus when a company listens to their customers. Most of the changes came from editor suggestions. A few notable improvements include new and enhanced color features and improved HDR support.
This update is massive with over 1,000 improvements and 250 new features including, no surprise here, major additions to the editing toolset.
Can you blame them? To me, this makes perfect sense from a company who wants to continue making waves in the stale standard operating procedure of the rest of the industry. Make no mistake, they want to turn their wonderful color correction program into your favorite non-linear editor. Time over time Blackmagic has marched forward with improving DaVinci Resolve.
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